Logo

Can you provide some examples of music with a free form structure?

Last Updated: 20.06.2025 00:00

Can you provide some examples of music with a free form structure?

“The Lark Ascending”: (the indication “Sur la touche” advises the Violinist to play on the finger board of the instrument).

Ralph Vaughn-Williams’ timeless, ethereal “The Lark Ascending” begins with a cadenza for solo Violin with quite the duration of free-form allowed by the Composer. Vaughn-Williams' notation is quite interesting to view. Violinist Hilary Hahn best infuses this cadenza with the most favorable tone and technique.

Below are images of the respective passages of which I speak.

Is it possible that my TF caused a kundalini awakening in another person? He is famous because He is a singer. We have not met physically yet, but I have gone through kundalini awakening and DNOTS and their ongoing. I have also had soul recognition so I know for sure that He is my Divine Counterpart and I do not have any doubts about it. But it is indeed perplexing that somebody had an awakening at the physical level because of Him. Is it a test for me? I have a mixture of feelings. On one hand I marvelled at Him and empathised with the person and on the other, I doubt if this just a test for me. I would appreciate your pov. Thank you for much.

Likewise, Russian composer Nikolai Rimsky-Korsakov's composition “Sheherezade” contains a sequence of musical passages with skeletal framework provided, allowing free-form to both soloist and strings in pizzacato. Rimsky-Korsakov's notation is most fascinating to see..and hear. The passages of which I write take place in Mvt. 2 of this astonishing work.

Typically, within a symphonic score, free-form structure is instructed via a Composer's indication of “Cadenza”. In musical terms, a cadenza is an improvised, ornamental passage performed in a “free” rythmic style, typically by a solo performer. To some extent, the musical indication of “a piacere”, (at your pleasure), also allows a performer to abide by the tempo, rhythm and dynamic level of their decision.

“Sheherezade”:

Why are breasts attractive?